Images of Black Women in Music Videos Harkens Back to Hottentot

Lynching Facts - Images of Black Women in Music Videos Harkens Back to Hottentot

Good morning. Now, I found out about Lynching Facts - Images of Black Women in Music Videos Harkens Back to Hottentot. Which could be very helpful to me so you. Images of Black Women in Music Videos Harkens Back to Hottentot

At this year's Essence Music Festival songstress Jill Scott, and others, addressed a panel about the media's portrayal of black women in beloved music and videos. I was thrilled to see the attention given to this topic. Such a platform is long overdue.

What I said. It just isn't in conclusion that the true about Lynching Facts. You check out this article for facts about a person need to know is Lynching Facts.

Lynching Facts

The promotion of black women as body parts with a singular emphasis on the buttocks has a painful place in our history. In 1810, Saarjite Baartman (also known as Sarah), a Khosian woman, was taken from South Africa to Europe to be publicly displayed because of her steatopygia, or enlarged buttocks. Known as "The Hottentot Venus," she was exhibited naked in a cage for more than five years. After Saarjite's death, her genitals were removed and dissected as European scientists sought to understand the "primitive sexual appetite" of African women.

Black women's thrusting, vibrating buttocks are the primary object in many of today's videos. These videos perpetuate the prolonged charge on the sexual integrity of black women's bodies. It is not naturally the depiction of black women as big booty, scantily clad, gyrating, voiceless sex toys. But, there is little to counter these images in any place else in the media. reconsider the role that garnered actor Halle Berry an Academy Award. It complex an animalistic sex scene suggesting something primitive about the sexuality of black women.

I'm led to wonder about the impact upon black girls engaging these images.
Although a link has long been suspected between sexually expensed images in the media and the socio-emotional improvement of teenage girls, empirical evidence is beginning to compose a correlation. And as you may assume, black girls don't fare well.

A study recently published in the American Journal of group condition found that black girls who view more rap videos are more likely to get in problem with the law, take drugs and come to be infected with sexually transmitted diseases. "We can see there is some link, some association," says study co-author Gina Wingood, an associate professor of behavioral sciences and condition schooling at Emory University in Atlanta.

Whether or not we want to believe these assertions, the statistics about the sexual condition of black girls are troubling. A study conducted by the National Campaign to forestall Teen gravidity found 32.7% of sexually experienced black girls aged 15-19 reported having 2 or more male partners in the last year. study done by Girls Inc., showed that among black girls between the ages of 12-18 tested for sexually transmitted diseases, 25% tested distinct for at least one Std, with chlamydia and gonorrhea most prevalent. Although black girls made up about 15% of all U.S. Girls between the ages 13 and 19, they accounted for 72% of all Hiv cases reported among young women. Many rap videos heavily promote sex without consequences. We can see the results are devastating.

Growing up as a girl in the 1970's, the potential for women seemed enormous. Black women were part of changing history and left a formidable legacy. Recently, Oprah broadcasted her Legend's Ball honoring great black women in media, music, and the civil ownership movement. The legends were women I grew up watching--women like Diahann Carroll, Gladys Knight, Nancy Wilson, Cecily Tyson, Dorothy Height, Coretta Scott King, and Maya Angelou just to name a few. These women were dignified, graceful, and commanded respect. They were (and still are) beautiful black women, courageous and strong. As a girl, whenever I saw these women a sense of pride welled up inside of me and still does today. Who can black girls turn to today for such inspiration?

As a society, we must ask ourselves any questions. Do we care about the type of women girls grow up to become? Is their group image worth defending? Is their sexual integrity worth protecting? There was a period in our history during which black men risked lynching if they attempted to safe their women from the sexual charge of other men. I am perplexed by the silence of black men as black women are publicly degraded and sexually exploited. We are in need of a new sexual revolution, one which restores the dignity of black women. A revolution is needed that will transform black women from "baby mamas," "chicken heads," and "'hos" to proud wives and mothers (preferably in that order.)

While I applaud the Essence Music Festival for providing a platform to discuss the portrayal of black women in beloved media, it is principal that we take operation that will begin to make a difference. Getting the media to gift balanced images of our women is imperative. But, we must also do some work on ourselves. By engaging every effort to exploit the sexuality of black women and girls by men in our community we can generate safer, healthier spaces for girls to grow up. And girls must be taught media literacy so that they can deconstruct the images they are absorbing.

As an advocate, consultant, and educator, I have worked on behalf of girls for more than a decade. I love girls. They are beautiful, caring, resilient, and strong. But, over the years I have seen girls struggle to grow up in a community that fails to safe them at every level. The rate of sexual harassment of girls in their own neighborhoods and schools is highly high. Black girls face spectacular, incidents of sexual abuse at the hands of a relative or close house associate. Many of these girls end up complex in the teenage justice system, the focal point of much of my work. Because of their traumatic sexual histories, girls in the teenage justice theory are indeed lured into the sex industry. Pimps disguised as video producers seek them out as easy prey.

The troubling reality is that many of these girls are mothers of more than one child. What will their children grow up to become? Can they pass on to their children the love they didn't experience? To change the trajectory of the lives of these girls, we need to begin with restoring their sense of value and worth. I have heard girls speak of making self-destructive choices because they believed they didn't deserve any better. They saw their lives as worthless. As I mentor these girls, I tell them that they are principal and have astronomical worth. And that it is not dependent on anything other than the fact that God made them wonderful. As I read to them from the book of Psalms, "I praise you because I am fearfully and wonderfully made; your works are wonderful, I know that full well," they are amazed. If we want to begin to transform the lives of girls, we as a community must demonstrate our trust that their lives are worthy by showing that we care adequate to take operation on their behalf.

I felt hopeful and relieved when a group of courageous women at Spelman College organized a boycott of Nelly, known for his misogynistic lyrics and music videos that demean black women. Our communities need more of that kind of organizing and action. We must keep the momentum going and begin to turn the tide. A hereafter generation of wholesome wives and mothers depends on it. The Hottentot Venus is a tragic part of the history of black women. Doing nothing about the gift day charge on the group image of black women stands to be just as tragic.

I hope you have new knowledge about Lynching Facts. Where you may put to easy use in your life. And most of all, your reaction is passed about Lynching Facts.